For Band. Handwritten in pencil. Single piece containing Huxford's composition of an Alma Mater (institution not yet confirmed) with his arrangement of the song "Pretty Girl is Like a Melody." Parts availalbe. No full score included.

For piano. Handwritten in pencil. Contains date and signature. Included is the original holograph and a xerox copy.

For String Quartet. Handwritten in pencil. UNFINISHED sketches in condensed score of Theme and Variation for String Quartet, which links with the parts found in Box 7, Folder 45. This unfinished condensed score only includes the Theme and third variation with the tempo marking as "Allegretto" where in the parts, the third variation lists "Allegro vivace" as the tempo.

For piano. Handwritten in pencil.

For SSATB, piano, bass, and drums. Handwritten in pencil. Contains date and signature.

Draft and Sketch for a March, possibly for band. Handwritten in pencil. The sketch is written for Cornet in Concert F, dated Nov. 1958 as it's date of completion.

Music composed by Huxford for varying ensembles and instrumentation including solo piano, choir, band, brass ensemble, and string quartet.

For piano. Handwritten in pencil. Contains several key changes and time signature changes throughout composition. Contains crossed out cadenza-like solo passage on the first and second pages.

Seemingly for band. Handwritten in pencil. Condensed score. Indicates flute and piccolo, but no other instrumentation. Complete. Possibly dedicated or commissioned for Mr. F.H. Ashe from School of Music at University of Miami, Coral Gables 1946, FLA.

For French Horn solo and piano. Handwritten in pencil. Contains signature of both John and Cliff Huxford. Dedicated to Cliff Huxford, John Huxford's son, for Christmass 1974.

For piano. Handwritten in pencil. A chromatic piece for solo piano. Contains John Huxford's signature in cursive at the top right corner of the first leaf.

For band. Handwritten in pencil. Contains date and signature. Parts only. Instrumentation indicated.

For piano. Handwritten in pencil.

For band. Handwritten in pencil. Contains date and/or signature on certain leaves.

Leaf 1: Unfinished "Fanfare" sketch in condensed score. No date. Leaf 2: An individual top part (Trumpet 3) from "Fanfare". Leaf 3: Another individual top part (Trumpet 3) from "Fanfare". Leaf 4: Seemingly completed "Fanfare (Fitzgerald Game)" in condensed score dated 9-29-'59 Leaf 5: Unfinished "Fanfare" sketch in condensed score dated 6-21-'59

For Brass Sextet. Handwritten in pencil. Contains dates and signature. Condensed score only. Five total variations. Composed 10/07/1974. Revised 5/10/1976.

For band. Handwritten in pencil. Condensed score. Instrumentation indicated. Time signature changes throughout the composition. Ends in eb minor.

For band. Handwritten in pencil. Contains a incomplete condensed score in A flat Major and a complete condensed score version in B flat Major. The condensed score in B flat Major contains date and signature. Parts included and indicates instrumentation.

These manuscripts were contained within a Martin Band Instruments mini folder which indicates it at one time also stored the 6/8 Fanfare of which the sketches from Box 8, Folder 5 match.

For piano. Handwritten in pencil. Untitled composition. Complete.

For Brass Quartet. Handwritten in pencil. Complete Reduced score and Individual Parts. Indicates a movement number (II). Possibly the second movement of a larger work yet to be classified.

For Piano, Flute, and French Horn. Handwritten in pencil. Condensed score only. Indicates the two works are two movements (III and IV) of a larger work that has yet to be discovered. Investigation is ongoing.