Seemingly arranged for alto saxophone, B flat clarient, and piano as a suite. Handwritten in pencil. Contains date and signature. Contains condensed score and parts. Contains same musical material for previous "Prelude" in Box 9 Folder 8, indicating it is the first movement of a larger work.

For piano. Handwritten in pencil. Contains date signature. Full Sonatina in three movements and sketches are included along with additional sketches of seemingly other solo piano compositions in various degrees of completion.

For piano, flute, and french horn. Handwritten in pencil. Contains signature. Condensed score and Parts. Contains four movements: Prelude, Rag, and Intermezzo and Scherzo, which are grouped together.

For soprano voice and piano. Handwritten in pencil. Contains signature. Piano and Vocal score. Originally written for Carol Mikklesen.

For Wind Ensemble. Handwritten in pencil. Contains signature. Parts and Full Score included. Huxford's Dissertation towards his Master's in Composition for Florida State Univeristy called "Suite for Wind Ensemble" sheet music. Parts 1 and 2. Suite in three movements:

1. Introduction and Scherzo 2. Intermezzo 3. March

Music composed by Huxford for varying ensembles and instrumentation including solo piano, choir, band, brass ensemble, and string quartet.

For band. Handwritten in pencil. Contains signature. Condensed score and parts. Dedicated to Coach Tommy Thomas after his 1979 NCAA Division II World Basebal Championship.

For piano and solo instrument (not specified). Handwritten in pencil. Contains dates.

Arranged for solo piano. Handwritten in pencil. Contains date and signature.

For band. Handwritten in pencil. Contains date and signature. Full Condensed score and Parts.

For piano and unspecified solo instrument. Full score. Contains "Pleasantries" and another untitled short piece for piano and unspecified solo instrument. Contains date.

Seemingly arranged for harp and piano. However, it does not actually follow the thematic melody of Scriabin's Prelude #13 in G flat Major. It begins with the melody of the fifth measure and then immediately deviates from the original. The first page is written in pen and not in Huxford's handwriting, indicating harp. The verso is handwritten in pencil and is in Huxford's handwriting, seemingly for piano accompaniment. To be determined is the full scope of this "arrangement."

For band. Handwritten in pen. Contains date and signature. Parts only. Instrumentation indicated.

For piano, organ, and choir. Handwritten in pencil. Contains year, revised date (November 1, 1971), and signature. Choir part is not included. Piano and Organ parts reference Choir.

For wind ensemble. Handwritten in pencil. Contains date and signature. Full Score and Parts. Written for the memory of Huxford's mother. Contains a small, blue program card describing the piece in further detail. Additionally, contains sketches of "Elegy" and other miscellaneous material.

Seemingly for band indicated by the large range and multiple voices. Handwritten in pencil. Unfinished arrangement in reduced score.

Unfinished sketches for piano and solo instrument. Contains some dates. An assortments of tempos, titles, and untitles.

For choir and piano. Handwritten in pencil. Contains date.

For band. Handwritten in pencil. Contains date and signature. Full Score only with only Flute 3 part. Instrumentation indicated. Written December 1979 and OCtober 1981. Scoring completed October 6, 1981.

For String quartet/ensemble. Handwritten in pencil. Reduced score. Indicates pizzicato and arco. Completed.